Art Space Work No 227 the Lights Going on and Off Artspace
| Work No. 227: The lights going on and off | |
|---|---|
 | |
| Creative person | Martin Creed |
| Year | 2000 |
| Type |
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| Location | Tate Britain |
Work No. 227: The lights going on and off [ane] is an installation by British artist Martin Creed. As of 2013[update], information technology forms part of the permanent drove at Tate Britain.[2] The installation is widely considered to be i of Creed's signature art works[3] and has besides been described as Creed'southward "near notorious work".[4]
Summary [edit]
Creed was shortlisted for the 2001 Turner Prize for two exhibitions: Martin Creed Works, a solo exhibition at Southampton City Art Gallery, Leeds Art Gallery, Camden Arts Centre and Bluecoat Gallery, Liverpool, and Art At present: Martin Creed at Tate Uk.[5] His submission for the Turner Prize show at the Tate Gallery was Work No. 227: The lights going on and off: an empty room in which the lights switched on and off at five-second intervals. The space which forms the artwork has painted white walls and concrete floors; the only light sources are the two ceiling lights.[half dozen]
The work exploits the existing light fittings of the gallery space, modifying the lights using an electrical timer.[vii] [6] Lights switching on and off form a recurring motif in Creed's works, including Work No. 127: the lights going on and off (1995)[8] and Work No. 254: The lights in a building going on and off (2000),[9] in which lights switch on and off in xxx- and 1-second intervals, respectively.[6]
The artwork was acquired by Tate Britain for its permanent collection in 2013; at the time, it had been recently valued as being worth around £110,000.[2]
Reaction [edit]
The artwork strongly divided critics and other artists.[10] Rachel Campbell-Johnston, art critic for The Times, wrote: "His flickering installation may hateful everything or it may mean nix, but at to the lowest degree information technology gives the viewer something to look at, something more interesting than plotless movies and planks of woods."[ten] In an interview with The Times, critic David Lee said "Last year, the Tate was scraping the butt. This yr they are scraping the scrapings ... A lite existence switched on and off is not a adept work of art."[10]
Artist Jacqueline Crofton threw eggs at the walls of Creed'southward empty room as a protest against the prize, declaring that Creed's presentations were non real art and that "painting is in danger of becoming an extinct skill in this country".[eleven]
Later reviews have been equally divided, with Waldemar Januszczak writing in 2012: "the worst winner of all time of the Turner Prize was the tiresome Martin Creed, in 2001, who showed the states an empty room in which a calorie-free bulb went on and off, and that was all."[12] When the Tate acquired the piece in 2013, critic Louisa Buck described it every bit "an important work" and "a sober minimalist piece in a long line of artists using every mean solar day materials for strong formal and psychological event".[2]
Work No. 227 has been identified equally one of Creed's signature pieces, and one of his most notorious artworks.[3] [4] The artwork has likewise garnered comparisons to John Cage's silent 1952 composition 4′33″.[xiii]
References [edit]
- ^ "Martin Creed Work No. 227". www.martincreed.com . Retrieved 16 March 2021.
- ^ a b c Clark, Nick. "Tate acquires Martin Creed'due south controversial Turner Prize-winning piece Work No 227". www.independent.co.uk. Independent Digital News & Media Ltd. Retrieved xvi March 2021.
- ^ a b "Piece of work No. 227: The lights going on and off by Martin Creed". Art Fund . Retrieved 16 March 2021.
- ^ a b Jones, Jonathan (iii September 2013). "Martin Creed's light goes on and off for me". The Guardian. Guardian Media Group. Retrieved 16 March 2021.
- ^ "Turner Prize 2001 artists: Martin Creed | Tate". www.tate.org.u.k. . Retrieved 16 March 2021.
- ^ a b c Johannson, Amanda. "Creed, the criticisms and institutional context : A content assay of critiques on Martin Creed'southward Work No. 227: The lights going on and off". Lund University Libraries. Retrieved 16 March 2021.
- ^ Delaney, Helen. ""Work No. 227: The lights going on and off", Martin Creed, 2000 | Tate". www.tate.org.united kingdom . Retrieved xvi March 2021.
- ^ "Martin Creed Piece of work No. 127". www.martincreed.com . Retrieved 16 March 2021.
- ^ "Work No. 254, The lights in a building going on and off, 2000 : Martin Creed : Artimage". www.artimage.org.united kingdom . Retrieved xvi March 2021.
- ^ a b c "Critics carve up over Turner winner". news.bbc.co.uk. BBC News. 10 December 2001. Retrieved 16 March 2021.
- ^ Youngs, Ian (31 October 2002). "The art of Turner protests". news.bbc.co.uk. BBC News. Retrieved 16 March 2021.
- ^ Gillon, Les (2017). "Martin Creed: Ideas in an Empty Room". The Uses of Reason in the Evaluation of Artworks: 127–147. doi:10.1007/978-3-319-56366-4_6.
- ^ "Martin Creed. Work No. 227, The Lights Going On And Off. 2000 | MoMA". The Museum of Mod Art . Retrieved sixteen March 2021.
Source: https://en.wikipedia.org/wiki/Work_No._227:_The_lights_going_on_and_off
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